March 9th, 2013 by edewolfe
Richard Bruce, History, 2013
Recently my team and I have been faced with the challenge of designing exactly how our theme will look to anyone walking through our section of the exhibit. I am on the team for Theme 3: Women, Men & the Homefront, and right now we’re trying to find a way to use information we’ve researched to hook anyone who comes through our section of the exhibit.
In terms of my online research, recently I came upon a scan of an actual discharge paper of a civil war soldier. Soldiers could have received these papers for a number of reasons, effectively relieving them of duty. Despite being a History major, this is the first discharge paper I have come across, I am interested to see how my team and I will be able to incorporate it into the overall idea of our theme. Even with my recent find, my research has not been without a few speed bumps and I’ve had a bit of a hard time finding information on the life of men who stayed home during the Civil War. But as I have learned time and time again in the past, sometimes you just have to look in the right spot to find what you’re looking for, I’m confident I’ll be able to find the information I need so our team can make this exhibit the best it can be.
February 28th, 2013 by edewolfe
Codi Riley, Business Administration/History, 2013
After having class at the Saco Museum last week we were given an idea of the actual space we had to fill, and it is HUGE! I think we all realized the scope of the project we had undertaken. This week in class we talked about the layout of our exhibit and what artifacts we want to incorporate in each of our sections. We also each gave a mini synopsis of what we are researching. During the mini synopsis each person gave, I realized how much information we are covering. Our subjects range from pre-civil war technology and transportation; pre-war life including Haley’; men, women, and children during the war; life of a soldier; medicine; memorials and keepsakes from the war, and the list continues.
This really made me think about why we are in this class. Not everyone in the class is a history major or minor. Our class is made up of a mix of majors from Business, to Medical Biology, History, English, and the Marine Sciences. So I was thinking about what drew people to this class, and what curiosities draw people to history. For this class each person was able to find a subject that they were interested in and would allow them to explore their interest. For each person, history means something different. In turn we can apply these drives to study history to our exhibit. Each of us found something interesting or intriguing to study, and that is what fuels our curiosity for history. As we work to assemble this exhibit, we will explore and expand on our curiosities and hopefully spark the community to explore their curiosities of history also .
February 23rd, 2013 by edewolfe
Kristel Lee, Aquaculture/Aquarium Sciences, 2015
After visiting the Saco Museum and visualizing the space our exhibit will consume, ideas began to flood into my mind. With all the information from all four themes still fresh in my mind, I was eager to get started with how John Haley was going to be represented in our exhibit. Ideas of different artifacts and interactives that could be included in our exhibit were beginning to place themselves around the room. I am a visual learner, so my ideas were more visually inclined. I thought of things that would help me learn and take something from this exhibit if I walked in as someone who knew nothing about the Civil War. Because John Haley acts as our guide from the past, I really want to be able to bring out his voice. I think it would be cool if when people walked into this back room, they felt as if they time traveled back into the Civil War with the specific artifacts we will exhibit. For someone who wouldn’t necessarily go to a museum on her free time, I am determined to create an exhibit that would draw in more people like me. My personal goal is to attract all types of people to this particular exhibit and for everyone to enjoy what our museum team creates!
February 23rd, 2013 by edewolfe
Constance Glynn, English/History, 2013
A couple of days ago, my class traveled to the Saco Museum to get our first real glimpse at our gallery space. Saco Museum’s gallery space is one of the largest in Maine and soon John Haley’s Civil War will drape its walls and crowd its floor.
We first toured the museum, astonished at how much space we had to tell our story. Yet, when we started looking at floor plans, it became evident that this story and the many years that make up the story could easily take up four of these galleries. It’s both exciting and nerve-wracking at the same time, but my class seems willing and eager.
We sketched out how we wanted the floor to be set up; we placed moveable walls and large pieces of furniture in our plans to help add a sense of direction. Floor plans are critical in museums because the movement of our audience needs to make sense and help embellish the story we’re trying to tell. And it is just that: a story. Who was John Haley? What is his connection to Maine? What is Maine’s connection to the Civil War? All of these answers need to be contained in this red-carpeted and dimly lit room for May 5th.
On our second visit to the museum this week, we toured the archives of the Saco Museum and Dyer Library. At times it felt like we had been transported back to the 1920s and found ourselves in a clerk’s office. The yellowed documents and gold-embellished gilt-edged books practically fall off their shelves. The sight is overwhelming (but eye-pleasing and heart-warming to book nerds and history buffs) so we were all in our element. We made our way through the maze of artifacts and archives, musing over substantially large vaults and little trinkets along the way.
After we had our tour, we had to break up into groups to decide what we wanted to use for artifacts in our exhibit. This is another crucial part of our story. The artifacts are tangible evidence of the past. They give a sense of history and time to our audience, provoking notions of being present in the past. The art of bringing together the present and the past is something we will master in the next couple of months, all to tell this story we have all come to know and love.