Your final reflection and revision project replaces a final, timed exam. You have been working on this assignment in and outside of class, independently and collaboratively through peer review and other small group work, and/or through conferences with me, and I can continue to me with you through the final day of class. From that point, you should work independently to complete a project that will represent your best work in the course.
The goals of this project align with the Student Learning Outcomes for all sections of ENG 110:
- Demonstrate the ability to approach writing as a recursive process that requires substantial revision of drafts for content, organization, and clarity (global revision), as well as editing and proofreading (local revision).
- Be able to integrate their ideas with those of others using summary, paraphrase, quotation, analysis, and synthesis of relevant sources.
- Employ techniques of active reading, critical reading, and informal reading response for inquiry, learning, and thinking.
- Be able to critique their own and others’ work by emphasizing global revision early in the writing process and local revision later in the process.
- Be able to find, evaluate, and use material located through the library’s online catalog, through subscription databases, and through internet search.
- Document their work using appropriate conventions (MLA).
- Control sentence-level error (grammar, punctuation, spelling).
Our scheduled exam time is Monday, May 5th from 12:15-2:15. We will meet in DeCary 202A
What to Hand in: a Checklist
- Please use the following format to name all documents, including the “first” or “final draft” where applicable: Last Name_Assignment Name
- Please share all three parts of the assignment as a Google doc with me. You will need to share the meta-commentary as a separate document in order to preserve your comments.
- Please bring printed copies of all three parts of the assignment.
- To print your meta-commentary, you will need to download it first. Use the file/“download as”/ .doxc features to do this. These steps are explained in your Help with Google Docs sheet elsewhere on the course site.
What to Expect for the Exit Exam
On May 5th, you will also be completing an “exit exam” to complement the first day writing prompt you wrote at the beginning of the semester. It will not be factored into your course grade, but if you do not complete the assignment you will not pass the course.
- You can expect to spend a total of 90 minutes preparing and writing it
- You should bring note paper and pen or pencil for planning
- We will use the MAC cart/Google docs in DeCary for drafting
- You’ll be able to share the document when you complete it.
We’ll be working today with a “formula” for synthesizing texts in your paragraphs. Think of it as another kind of template, this one with the specific purpose of bringing together readings in a way that will help you create a new idea that in turn brings your project or goal for the essay one step nearer completion.
This formula is explained in the introduction to Emerging (16-17). The version I am providing here comes to us courtesy of UNE’s Director of English Composition, Prof. Cripps.
I’ve posted a document, the ENG 110 Rubric Description, to accompany the new ENG 110 Grading Criteria grid that you’re receiving with my comments on your essays. You can find it by following the link from this post, but I will also be adding it to the syllabus.
Read Peter Singer’s essay “Visible Man” in our Emerging reader and answer the “Questions for Critical Reading” (pp. 461-62). Post your responses as a comment, as usual.
Instead of answering a set of questions about Bamford’s essay, your assignment is to begin making connections between our readings.
How does Bamford’s essay work with our previous readings? For example, how does his work extend ideas we’ve already encountered? Does he work against any of our readings by complicating, raising questions about, or critiquing their points or conclusion?
To prepare for discussion and class work, choose at least one place in Bamford’s essay that works with at least one of our previous readings. Then write a paragraph that does the following:
- provides the immediate context
- paraphrases and/or quotes the passage or idea
- explains what the example means
- connects it to another reading using specific details
- Explains why these combined points might be important
- Warren and Brandeis begin their essay with a general explanation of how new rights evolve. How do they characterize the trend among new rights, or how do these new rights, generally, compare to existing ones?
- What branches of law, or concepts of harm, emerge alongside the development of new rights?
- What is the specific prompt or occasion for writing this piece? What is it about “1890” that makes Warren and Brandeis predict legal change is coming?
- What are some the results of these trends? Which, if any, do you see happening today?
- Warren & Brandeis don’t at all question the importance of privacy and base their argument on a series of assumptions about its value. Why is privacy so important in the modern age of “1890”? Would we offer the same reasons now? What would we add?
- Return to question #1 and notice how W&B set up their essay: they move from the general context to their specific focus. They forecast their “project” (what they’re trying to do and how the essay will develop), and they explain why it matters. In two or three sentences, write a summary of the essay so far.
7. As legal scholars, Warren and Brandeis cite many precedents (rulings on similar cases made by previous judges) to substantiate their claim or to analyze the previous court’s thinking as a foundation for their own argument. Most of the decisions they discuss might seem to use a “narrow sense” of property (203, 204), but Warren and Brandeis detect “recognitions of a more liberal doctrine” (204) that they call “inviolate personality” (205). Using examples from the text, try to explain this concept and how it differs from property in the narrow sense.
8. Warren and Brandeis conclude that the “protection of society must come mainly through a recognition of the rights of the individual” (219). Go back to our readings from the New York Times and consider the different conceptions of society we saw there. Where would Warren and Brandeis fit? Explain.
9. In their final sentence, Warren and Brandeis invoke a familiar metaphor:
THE COMMON LAW HAS ALWAYS RECOGNIZED A MAN’S HOUSE AS HIS CASTLE, IMPREGNABLE, OFTEN, EVEN TO ITS OWN OFFICERS ENGAGED IN THE EXECUTION OF ITS COMMANDS. SHALL THE COURTS THUS CLOSE THE FRONT ENTRANCE TO CONSTITUTED AUTHORITY, AND OPEN WIDE THE BACK DOOR TO IDLE OR PRURIENT CURIOSITY? (220)
Building on question #3, what model of social organization does this metaphor support? Is privacy a right that everyone does–or should–enjoy? Why?
I’ve posted the library assignment, which you can access from the schedule. This assignment is a short project designed to get you into the library (virtually or in person) and working with the finding aids.
We will not be meeting as a class on Monday, nor will you be having a library tutorial that day. You should use class time to complete the assignment. If you have scheduled an appointment to meet with a SASC tutor, you will need to complete the assignment in time to bring it to class on Wednesday.
We WILL have our library tutorial on Wednesday, March 12th. You should expect to bring your completed assignments and “troubleshoot” them with the librarian. I will collect them at the end of our session.
Now that we’ve discussed Yoshino, in small groups and together, review your responses to DQ4.
- Would you revise any of your answers? How?
- What do you still want or need to know in order to understand Yoshino’s argument?
- What connections do you see between Yoshino’s ideas and those of Lepore, Kadish, or the PostSecret concept?
For Discussion of Yoshino, answer the “Questions for Critical Reading” (Emerging 552)
In addition to answering these questions, please do the following:
- As you read, compile a list of words or concepts you don’t know. For example, who are the “Romantics” Yoshino compares himself to at the end of the Preface?
- Come to class on Monday with a content question and an analytical question of your own to discuss in groups.